Speak No Evil is a fresh, clever social horror film drenched in dread. Writer/director Christian Tafdrup and co-writer Mads Tafdrup conjure up a story that seeks to make audiences cringe from satirical encounters but also fear what looms beneath the surface. Speak No Evil delivers on thrills, chills, and an intriguing satire on human interaction.
‘Speak No Evil’ brings vacation friends together
Bjørn (Morten Burian), Louise (Sidsel Siem Koch), and their daughter, Agnes (Liva Forsberg) enjoy a beautiful vacation together in Italy. They meet a friendly family in Patrick (Fedja van Huêt), Karin (Karina Smulders), and their son, Abel (Marius Damslev). As a result of their initial interactions, the two families quickly become vacation friends and enjoy each other’s company over cuisine and good conversations.
Speak No Evil follows Bjørn after he discovers a letter inviting him and his family to travel from Denmark to visit the Dutch family in southern Holland. The weekend initially appears to be a wonderful continuation of their previous vacation. However, Bjørn and Louise quickly find themselves caught in an increasingly uncomfortable situation as they try to remain polite.
Christian Tafdrup utilizes kindness and politeness as a manipulation tool
Tafdrup’s Speak No Evil immediately commands the audience’s attention with Erik Molberg Hansen’s gorgeous cinematography. The landscapes’ natural beauty is constantly set up against Sune Kølster’s dramatic and dark score. Tafdrup pieces all of the pieces together into a picture that fills every element with dread.
The most impressive aspect of Speak No Evil is the consistent level of tension that lingers throughout the feature. It pushes Bjørn and Louise out of their comfort zone and makes the audience want to scream for them to just leave. However, this horror trope is the movie’s point. It has a dark sense of humor in its commentary on what humans are willing to give up in exchange for social composure and politeness.
Speak No Evil progressively builds awkward social tension while racking up the horror elements. The ending has no shortage of brutality, but it doesn’t entirely capitalize on theme progressions established earlier in the film. Tafdrup successfully incorporates these themes into a sense of closure, but it doesn’t really translate into the bigger picture of what the movie is getting at.
Speak No Evil vocalizes a refreshing new voice in horror with volumes to say about human behavior.
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