Lana Del Rey shared a lengthy rant, or “question for the culture,” to Instagram on Wednesday defending herself from “female writers” and “alt. singers” who have allegedly “crucified” her for “glamourizing abuse” in her music over the last decade.
The brooding pop singer, born Elizabeth Grant, said that it is “pathetic” that her “minor lyrical exploration” — which occasionally touches on the “submissive” or “passive roles” she has played in “challenging” relationships in the past — has resulted in critics accusing her of having “set women back hundreds of years.”
“I’m just a glamourous person singing about the realities of what we are all now seeing,” she wrote, which “are very prevalent emotionally abusive relationships all over the world.”
Writing that she is “not not a feminist,” Del Rey, 34, expressed concern that there simply isn’t a “place in feminism” for women “who look and act like (her).”
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She described those women as the ones “who are slated mercilessly for being their authentic, delicate selves” and “who get their own stories and voices taken away from them by stronger women, or by men who hate women.”
The five-time Grammy Award nominee also subtly took aim at fellow pop stars, including Ariana Grande, Nicki Minaj and Beyoncé.
Though she didn’t name any of their songs in particular, she suggested that some of her competitors’ more taboo, or “sexy,” lyrical content has often overpowered her “authentic” music in the charts because of its overall appeal.
“Now that Doja Cat, Ariana, Camila (Cabello), Cardi B, Kehlani, Nicki Minaj and Beyoncé have had number ones with songs about being sexy, wearing no clothes, f—ing, cheating etc., can I please go back to singing about being embodied, feeling beautiful by being in love even if the relationship is not perfect without being crucified, or saying that I’m glamourizing abuse?” she wrote.
“I just want to say it’s been a long 10 years of bulls–t reviews up until recently, and I’ve learned a lot from them,” she continued, without explicitly naming any of her denigrators.
On her discography, Del Rey says she feels like it helped “pave the way for other women to stop ‘putting on a happy face’ and to just be able to say whatever the hell they wanted in their music.”
In contrast, she said, “(whenever) I expressed a note of sadness in my first two records, I was deemed hysterical as though it was literally the 1920s.”
A decade ago, in 2010, Del Rey put out her debut, self-titled studio album. Two years later, her breakthrough record Born to Die (2012) was released.
The overall success and doom-and-gloom nature of her music quickly made her a household name across the globe.
Despite receiving support from fans in her recent Instagram rant, the Summertime Sadness singer was subject to a wave of backlash on social media for her criticism of female musicians — primarily Black women.
“I’ve never really f—ed with Lana Del Rey,” wrote one Twitter user. “I’m depressed enough already.”
Claiming Del Rey was attacking feminism, they continued: “I think that what she said is asinine. Expecting to be famous without anyone criticizing you is unrealistic. Finally, you can’t date cops, denounce feminism and maintain my respect.”
Here’s what some other Twitter users had to say:
Other fans of the Video Games singer flocked to her defence, however, saying she was simply criticizing the “critics” and “industry” rather than other pop musicians.
Whether either of the upcoming books, or her Sept. 5 album, pertains to the previously announced Violet Bent Backwards Over the Grass project is currently unclear.
For additional information, you can visit the official Lana Del Rey website.
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